Mary Zimmerman is a writer and director and has worked with Lookingglass for more than 25 years. For Lookingglass, she adapted and directed The Odyssey, The Secret in the Wings, The Arabian Nights, S/M, Metamorphoses, Eleven Rooms of Proust (Co-production with About Face Theatre), Argonautika and Treasure Island. Mary is also part of the Goodman Theatre artistic team where she adapted and directed The White Snake, The Jungle Book, Candide, The Notebooks of Leonardo Da Vinci, Silk, Journey to the West, Mirror of the Invisible World and a re-creation of The Odyssey, as well as directing Wonderful Town, Pericles, The Baltimore Waltz, and All’s Well That Ends Well. She has twice directed for the New York Shakespeare Festival in the Park. Regionally, her work has appeared at Berkeley Repertory Theatre, Oregon Shakespeare Festival, Huntington Theatre Company, McCarter Theatre, Arena Stage, and Shakespeare Theatre in Washington, D.C. In New York, her work has appeared at Lincoln Center, Second Stage Theatre, Brooklyn Academy of Music, and Circle in the Square Theatre.
In the world of opera, she directed and co-wrote the libretto Galileo Galilei (Composed by Philip Glass) that was produced at Goodman Theatre, British Academy of Music, and the Barbican Theatre in London. Additionally, she has directed four operas at Metropolitan Opera in New York City: Rusalka, Lucia Di Lammermoor, La Sonnambula, and Rossini’s Armida, each of which has been broadcast live into movie theatres worldwide.
Her work has won awards in Chicago, Seattle, LA, Berkeley and New York. In 1998, Mary received a MacArthur Fellowship and in 2002, the Tony Award for Best Director of a Play for Metamorphoses on Broadway.
She lives in Evanston and is a professor of Performance Studies at Northwestern University.
Bio as of 2017