The twenty first season of Lookingglass begins this fall.
This is a true “moment” for any company and I certainly humbly appreciate the good fortune from which we have benefited to celebrate that landmark. It has been over two decades since the outrageously naïve decision to embark on this journey together, and we are all the richer for it. (Some of us are admittedly “poorer”, but not in soul…)
But together we have stayed. Why? After many gloomy days, after some absolute pans from the critics, after kids, therapy, weddings, deaths, fame, fortune, poverty, disagreements, general existential angst, days, weeks, months, years, why have we stayed together?
If we did one thing right in those preposterously long early (and late) meetings of our genesis, it was to create a mission that ACTIVATED us and yet was UNACHEIVABLE. - Read more
You were in the original cast
when Lookingglass Alice was first produced at Lookingglass in 2005. What attracted
you to the show?
My first two shows with the company,
RACE and 1984, were not as physical as many other Lookingglass shows.
They both had physical elements incorporated into the performances,
but nothing like what I envisioned Alice would be. So when
Alice came around I was primed and ready to "flex my circus
muscles!" - Read more
Lookingglass Alice is famous for its incredible incorporation of daring circus skills. A lot of the credit for that goes to Artistic Associate Sylvia Hernandez-DiStasi. The circus training she gave the Ensemble in its early days helped to establish Lookingglass as a theatre company known for physical work. - Read more
JP Morgan Chase Foundation and Motorola supported this production through a generous gift to gglassworks, the initiative through which Lookingglass develops new work.