ArtAntica Articles from The Black Diamond Issue

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Alice to Alice

Lookingglass’ first director, David Schwimmer, tells of how the company began

David Schwimmer is a founding member of the Lookingglass Theatre Company. The following is a speech he gave in New York for the arrival of Lookingglass Alice at the New Vic.

Schwimmer

Hi, I’m David Schwimmer, and it’s my pleasure to welcome everyone here tonight and to introduce you to the theatre company that I’ve called my artistic home the last 19 years, The Lookingglass Theatre Company of Chicago.

Lookingglass was started in 1988 by eight Northwestern University students. We were actors and directors who had found a way to work with each other repeatedly while at Northwestern, developing a bold, physical and improvisational rehearsal process with an emphasis on ensemble and applying it to stories that challenged, provoked, thrilled and empowered our audiences; a mission that remains our company’s foundation today.

20 years ago, I was determined to direct Andre Gregory’s adaptation of Alice in Wonderland while a junior in college. This visionary adaptation was both sophisticated and silly, a story for adults and children alike, and demanded that six actors play most, if not all, the characters from both Alice and Through the Lookingglass. - Read more

Extended Play

Sibyl’s all set

Black Diamond set designer shares her work

A multimedia presentation with Sibyl Wickersheimer.

Click to view.

- Read more

gglass houses

Dr. Slick tells all

J. Nicole Brooks, the author of Black Diamond talks with ArtAntica

Brooks

ArtAntica: Who are you and how did you get started with Lookingglass?
J. Nicole Brooks: My name is J. Nicole Brooks and my nom de guerre or pen name is Dr. Slick. I began my career with Lookingglass in 2002. - Read more

gglass houses

At the Crossroads

Ensemble member Thom Cox on the issues in Black Diamond

Thom Cox

There are so many things about Black Diamond that would be exciting and interesting to talk about: my first opportunity to be directed by David Catlin in more than seven years; how the circus element that is often an important part of a Lookingglass show is being used - Read more

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