Daniel Ostling

DANIEL OSTLING is a scenic designer whose work at Lookingglass includes, Argonautika, Lookingglass Alice, Hillbilly Antigone, Secret in the Wings, Race, Hard Times, Eleven Rooms of Proust, Baron In The Trees, Metamorphoses, The Idiot, Arabian Nights (1997 BAM, NYC/ Actors Gang, LA / Chgo) 27, and Vanishing Twin.

Additionally his recent work includes Lucia Di Lammermoor (Metropolitan Opera/ NYC), Brainpeople (ACT, SF), The Glorious Ones (Lincoln Center/NYC, Pittsburgh Public Theatre), Mirror of the Invisible World (Goodman), Durango (Public Theatre/ NYC, Long Wharf/New Haven, CN), the Pain and the Itch (Playwright’s Horizon/ NYC), Monsieur Proust (About Face Theatre/ Chgo)  A Flea in her Ear (Chicago Shakespeare), UP (Oregon Shakespeare Festival), and Pericles (Goodman, Shakespeare Theatre/ DC).

He has worked at numerous regional theatres including the Brooklyn Academy of Music, New York Shakespeare Festival, Steppenwolf, La Jolla Playhouse, the Mark Taper Forum, Seattle Rep., Berkeley Rep., San Francisco Opera Center, Portland Center Stage and Tanglewood Opera Theatre.

Internationally, his work has been seen in London, UK and Melbourne, Australia.

Upcoming projects include Amadeus (Chicago Shakespeare), Brothers Karamazov (Lookingglass/ Chgo), Arabian Nights (Berkeley Repertory/SF), War Music(ACT, San Francisco), Sonnambula(Metropolitan Opera/ NYC), Merry Widow(Lyric Opera/Chgo).

He is an Associate Professor at Northwestern University.  Find out more by visiting his site.